Don’t censor the web

January 18th, 2012

Some of my favorite sites — like Instructablesxkcd and Boing Boing — and others I use all the time — like YouTube and Wikipedia — are a product of and are only possible in an open internet that promotes the free exchange of knowledge.

Even a tiny site like mine is only possible in a world where I’m not in legal jeopardy if I link to a site anywhere online that has any links to copyright infringement (how could I possibly police that?).

Legislation currently pending in the US congress — H.R.3261 “Stop Online Piracy Act” (SOPA) and S.968 “PROTECT IP” (PIPA) — threaten, at a minimum, to significantly undermine our (that’s all of us on the web, people) ability to communicate with each other and encourage collaborative learning through linking to and direct sharing of resources and ideas. At worst, some of our favorite websites could disappear from the web without warning, and without due process of law.

So PLEASE take just a minute to contact your representatives in congress. For more information about what these bills could mean for the internet, there are more resources over at the EFF.

Thanks!

A new pet for a new year

January 4th, 2012

Around this time of year, I REALLY REALLY want to get a pet. This is probably my best bet. Gracias a xkcd.com

xkcd: New Pet

Slice conference has revived Antigone

September 21st, 2011

Slice Literary Writers' Conference

Last weekend, September 16th and 17th, Slice Magazine held its first ever writers’ conference. Not only was it the first conference for the mag, but it was the first major writers’ conference to be held in Brooklyn — home to many writers, editors and agents, as well as the Brooklyn Book Festival which took place on September 18th. What a great weekend for literature in Brooklyn!

I first read about the conference in Poets & Writers magazine and I have to say I was daunted at the idea of attending a conference in NYC. Not that I’m a afraid of “the big city” (I lived in NYC for 10 years), but I was afraid of being in a writing environment that I remembered as exclusionary and elitist.

Boy, was I wrong.

There aren’t enough superlatives to describe how much I enjoyed and profited from the Slice Literary Writers’ Conference. Because the conference was small and there were so many editors, agents and published writers available, I didn’t feel as though I had to pitch my book every time I talked to someone. And the agents and editors who attended didn’t have to worry about being swarmed every time they stepped out from behind the podium, so they were very accessible. Without even trying, I connected with people with whom I would like to work. I also met and am staying in touch with several fellow writers, one of my goals for the conference. I was relaxed, and listened and learned. And best of all, my novel Antigone Rising is now revived.

I had basically given up after having been rejected by four agents who had read full manuscript. But several agents at the conference were interested in Antigone. So I’ve started a relatively substantive revision based on learning that a debut novel should be 80,000 to 100,000 words; Antigone is currently 134,000 (which I thought was average, not long). I also have a clear idea now of how to fix a big problem in the novel — that there was one big problem looming over everything all the time. A huge thanks for this insight goes to writer Justin Taylor, who led a workshop on character development.

Hopefully, in the next year I’ll be writing here about the wonderful agent who’s sold my book to the wonderful editor who will shepherd it to publication.

Thanks, Slice!

Marginalized art and literature get a voice

September 21st, 2011

My favorite new blog Brain Pickings just posted this story about South Indian independent publisher Tara Books:

If there ever was a project that reclaimed “authenticity” and “innovation” from their present status of fluff-lined buzzwords and into a genuine ethos, it would be South Indian independent publisher Tara Books, who for the past 16 years has been giving voice to marginalized art and literature through a commune of artists, writers and designers collaborating on remarkable handmade books. Crafted by local artisans in their fair trade workshop in Chennai, the books are hand-bound and each page is painstakingly screen-printed by hand using traditional Indian dyes, whose fresh earthy scent gently oozes from the gorgeous pages of the finished book. Read more